英文硕士论文摘要-建筑学硕士论文摘要+艺术硕士英文摘要

发布时间:2012-07-25 17:12:09 论文编辑:英文硕士论文摘要

建筑学专业硕士论文英文摘要
Title:  Body Builder
Authors:  Yurga, Emre
Keywords:  Heterotopia
Exile
Transsexual
Pilgrimage
Melancholy
Utopia
代写留学生论文 Gender
Homosexuality
Gay
AIDS
HIV
Mirror
Postmodern
Modern
Otherness
Refugee
Bathhouse
Hammam
Bosporus
Strait
Island
Body
Istanbul
Venice
Approved Date: 留学生论文; 25-Jan-2010 
Date Submitted:  18-Dec-2009 
Abstract:  My thesis is a critical essay thematically focused on the fate of the body in the postmodern condition. In this thesis a fundamental question is posed:代写留学生硕士论文 What happens to the (postmodern) body under the double pressure of postmodern technology and culture? Is the postmodern body altered under the pressure of postmodern technology and culture? How contemporary thought and architecture impact the body will also be examined. This thesis discusses the above questions thro英文硕士论文代写ugh several key concepts such as exilic conditions, heterotopias and ‘trans’ states of being. After elaborating on these issues, this thesis attempts to design an architectural project “Hamam Complex” on a unique natural island in the Bosporus strait that separates the Western and Eastern worlds.
Program:  Architecture
Department:  School of Architecture
Degree:  Master of Architecture
Title:  AGRARIA: An agrarian vision
Authors:  England, Craig
Keywords:  agriculture

城市规划专业英文硕士论文摘要:
urbanism
utopia
Approved Date:  22-May-2008 
Date Submitted:  14-May-2008 
Abstract:  This thesis is concerned with reconnecting people to the land. It has been developed as a reaction to the current environmental crises concerning peak oil, urban sprawl, and the ongoing opposition between humans and the natural world. This thesis posits that the most direct way to reconnect people to the land is through the practice of agriculture. The thesis is written as a manifesto. The intent is to clearly declare the role that an agrarian development can play in our society. As a manifesto, it is written with the understanding that current political and economical considerations be suspended from the context of the thesis. It is a suggestion for the re-evaluation of contemporary agriculture, a new approach to development, and a new style for living. The thesis is broken into three sections. The first is an empirical introduction to the issues surrounding the thesis. Following this, a synopsis of readings concerning the work of a number of agricultural innovators is discussed. Large scale, rural based utopian precedents were studied more for their theory than for their architectural implications. The second section is the written Manifesto. The third is the design proposition of the thesis that follows the precepts outlined in the Manifesto. This design, which is a proposition for a new large-scale, hybrid urban/rural form of settlement, is named AGRARIA. This thesis is not meant to be a ‘back-to-the-land’ regressive social movement, but rather it suggests that current development of our arable land could be more in tune with its environment and still remain productive land after development. It is a proposition for the localization of production, and direct involvement in our food system. Following the precepts of the design proposal, a new alternative to urban sprawl can be discussed. This new typology will change the pattern of suburban development from consumptive elements into productive ones, and from isolationist environments into integrative ones. It is envisioned that this trend in development and lifestyle shall enable the spread of an agrarian ideology throughout rural areas and into urban centres.
Program:  Architecture
Department:  School of Architecture
Degree:  Master of Architecture

英文论文摘要范例三:
Title:  Dance Competitions and Recitals as Collectively Accomplished Events: An Ethnographic Study of Amateur Dance
Authors:  Suljak, Mary
Keywords:  dance
symbolic interactionism
Approved Date:  22-Jan-2010 
Date Submitted:  2010 
Abstract:  This thesis presents a qualitative analysis of organized amateur dance participation as an example of human group life. Organized amateur dance typically occurs within a studio or school setting and is differentiated from professional dance by the lack of monetary compensation provided to performers. Consequently, this thesis considers the dance studio as an arena for pursuing hobby-based interests and activities, as well as notions of providing entertainment as entertainment in and of itself. Using a symbolic interactionist theoretical perspective in conjunction with ethnographic methodology, this thesis analyzes the centrality of performance among amateur dance participants, related to group-based definitions of competitions and recitals as the most significant aspects of their dance involvements. By envisioning competitions and recitals as instances of coordinated activity, this thesis employs Prus’ (1997: 135) conceptual model for participating in collective events as a means of highlighting the processual quality characteristic of developing performance events. Further, this thesis uses Goffman’s (1959) conceptualization of team-based dynamics as a means of illustrating how meanings about the group, the activity at hand and the event being anticipated are created, negotiated and perpetuated in a group-based setting. Data obtained from the observation of dance groups as they prepared for and engaged in competitions and recitals as well as open-ended interviews with twenty members of the amateur dance community is used to illustrate the various stages of accomplishing performance events. This analysis begins with participant experiences in initiating events and becoming involved with them, followed by a discussion on how these groups prepare for, sustain and participate in performance events. While this thesis focuses predominantly on amateur dance involvements, it also provides a transcontextual analysis of the interactionist concept of the collective event, through comparisons with research conducted on groups based on activities other than dance. Through field data and these various comparisons, this thesis finds that working toward and participating in group-based ventures encourages the development of a team- based awareness and sense of purpose among the participants of a wide variety of activities. Because having a central focus and common awareness with regard to an activity is integral to the sustained commitments and involvements of participants, this thesis finds the interactionist notion of collective events to be a central feature of human lived experience.
Program:  Sociology
Department:  Sociology
Degree:  Master of Arts